LISTEN

Hear live recordings of Thea in recital and on the opera stage, bringing her signature artistry, “exceptional stratospheric ease and timbral sweetness” (Financial Times) to every performance. 

1 / Nuvoletta by Barber, text by James Joyce / Recorded live at the Ravinia Festival with pianist Andrew West

Nuvoletta
1 / Barber

2 / Epheu by Strauss / Recorded live at the Ravinia Festival with pianist Andrew West

Epheu
2 / Strauss

3 / Amor by Bolcom / Recorded live in NYC at the David Adams Song Competition Winners' Concert with pianist Lydia Brown

Amor
3 / Bolcom

4 / Excerpt from Wilson's Aethelred the Unready / Recorded live in NYC at Merkin Concert Hall with countertenor Drew Minter / Richard Wilson, conductor

Aethelred the Unready
4 / Wilson

5 / Excerpt from Monteverdi's Orfeo / Recorded live with Chicago Opera Theater / Jane Glover, conductor

Orfeo
5 / Monteverdi

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  • "Among the singers . . . soprano Thea Tullman Moore was outstanding, with a crystalline voice and natural stage presence."

    • Barrymore Laurence Scherer, The Wall Street Journal •

  • “Outstanding in the supporting cast [is] Thea Tullman Moore as a lively embodiment of La Musica, who also looks and moves well onstage.”

    • Paul Griffiths, The New York Times •

  • "Thea Tullman Moore . . . sang rhapsodically. With extensive credits elsewhere, hers is unquestionably a voice that should be heard again and again."

    • Carl J. Halperin, Classical Voice of North Carolina •

  • “Soprano Thea Tullman Moore, as Music herself . . . sang first and brightest and offered so much hope.”

    • Justin Davidson, NY Newsday •

  • “Thea Tullman Moore displayed a gorgeous coloratura as the maid, Lucia.”

    • Albert H. Cohen, Home News Tribune •

  • “There were attractive portrayals by . . . Thea Tullman Moore (poised as Music herself).”

    • John W. Freeman, Opera News •