Reviews

REVIEWS

AS LA MUSICA IN ORFEO WITH CHICAGO OPERA THEATER

“One was struck by the shining vocal grace of Thea Tullman (La Musica).” John von Rhein, Chicago Tribune

“Outstanding in the supporting cast [is] Thea Tullman as a lively embodiment of La Musica, who also looks and moves well onstage.”  Paul Griffiths, The New York Times

“Soprano Thea Tullman, as Music herself . . . sang first and brightest and offered so much hope.”  Justin Davidson, NY Newsday

“There were attractive portrayals by . . . Thea Tullman (poised as Music herself).”  John W. Freeman, Opera News

“The young cast was outstanding. As La Musica, Orfeo’s mistress of ceremonies, Thea Tullman was both sinister and seductive.”  Wynne Delacoma, Chicago Sun-Times

 

AS THE ASSISTANT IN AETHELRED THE UNREADY AT MERKIN HALL

“Among the singers, the young soprano Thea Tullman was outstanding, with a crystalline voice and natural stage presence.”  Barrymore Laurence Scherer, The Wall Street Journal

“Thea Tullman was a charming Assistant.”  Brian Wise, American Record Guide

 

AS LUCIA IN THE RAPE OF LUCRETIA WITH OPERA FESTIVAL OF NEW JERSEY

“Thea Tullman serves notice of exceptional stratospheric ease and timbral sweetness as Lucia.”  Martin Bernheimer, Financial Times

“Thea Tullman displayed a gorgeous coloratura as the maid, Lucia.”  Albert H. Cohen, Home News Tribune

 

AS PATIENCE IN GILBERT & SULLIVAN’S PATIENCE AT THE CAROLINA THEATER

“Thea Tullman . . . sang rhapsodically. With extensive credits elsewhere, hers is unquestionably a voice that should be heard again and again.”  Carl J. Halperin, Classical Voice of North Carolina